Michael Jackson’s sudden death by cardiac arrest is less shocking than the slow, but steady demise of his soul, which turned him into a music machine fueled by addictions to drugs, money, possessions, fame and plastic surgery.  As my friend and fellow journalist Josh Resnek has remarked, Jackson’s body died at 50; the rest of him died much younger.

Jackson’s life story is a cautionary tale about what happens when a child is deprived of his core self.  That deprivation likely stemmed from what Jackson himself described as the physical and psychological brutality of his father Joe, who reportedly whipped him and verbally abused him and monetized his talents from age 10 through endless rehearsals and performances of The Jackson 5.  Now Joe is planning a big, public funeral for his twice-dead son, keeping him on the stage even after he is gone from this earth.

Jackson’s first, long, tortuous death was a gradual stopping of his metaphorical heart—the heart of a boy harnessed to a father’s tyrannical plans to enslave him.  It left him uncertain whether anything at all was authentic about him, whether there was anything whatsoever he could embrace as the truth. 

He was forever ambivalent about his race, bleaching or otherwise altering his skin tone to appear Caucasian. 

He was forever ambivalent about his facial structure, undergoing plastic surgeries until his nose seemed in danger of falling off his face, his chin became a caricature of the kind with a cleft he must have admired on other people’s faces, and his jaw line became a haunting skeletal representation of just how dead he really was inside.

He seemed forever ambivalent about his gender, because he could not claim even that as his own, morphing from tough guy to girl in appearance and garb. 

He seemed ambivalent about his age, living in an amusement park he built, with zoo animals on display.  Could he have actually missed the fact that he was a caged animal himself, thrilling crowds with his exotic movements and appearance? 

He may have been ambivalent or twisted about what pleased him sexually, given his habit of inviting young boys into his bed and his history of having paid out $20 million to settle a child sexual molestation suit.

He staged sham marriages and “fathered” children who appeared wearing carnival masks in public—all part of the show.  He dangled his baby boy over a railing for his fans, in what may have been the starkest representation of how he felt his own life had ended shortly after birth. 

The distance between a man’s mind and his core self — his soul — is the breeding place for anxiety and depression.  And Jackson apparently tried to contain those unwieldy emotions in the predictable ways — drugging himself by acquiring possessions and trying to shut up the long-dying person inside him with opiates and tranquilizers.  Then the truth asserted itself in the final way it sometimes does.  It stopped his heart suddenly, when, for all intents and purposes, it had not been beating (not for real) for decades.

In today’s world, there are so many ways to fight the lines of time. But by far, one of the most popular is Botox.

Botox is basically a neurotoxic protein produced by the bacterium Clostridium Botulinum.  It was originally used to treat muscle spasms — but in 1997 it earned FDA approval for cosmetic treatment.  The American Society of Plastic Surgeons (ASPS) reported that there were more than 2.8 million procedures performed with Botox in 2008.  (Just more proof about how wildly popular this anti-wrinkle treatment is.)

A Botox Cosmetic injection can do a few things. It can help soften the overall look of your face and reduce the animation in some of the muscles in the upper part of the face. (This results in a younger, more youthful appearance.) It can also treat facial lines caused by repetitive muscle movement, which we frequently do in my practice. We also use Botox to help prevent new lines from forming. Common injection sites for erasing wrinkles and lines include:

• Glabella (region between eyebrows)
• Forehead
• Outer corners of eyes (crow’s feet)
• Either side of mid-chin, for down-turned mouth
• Neck, for neck bands or visible chords

We also use Botox to treat:

• Facial asymmetry or other facial conditions that result from muscle action; this is called “facial shaping”
• Hyperhidrosis (excessive perspiration); common injection sites are underarms, palms, scalp and soles of feet

Remember — An experienced injector makes all the difference

Today, people often take the wrong shortcuts when seeking facial rejuvenation with Botox and other injectables. If the injector administers too little Botox Cosmetic, the results will not be fully visible. However if the injector injects too much, the appearance can be a frozen or stunned look. On occasion there may be some unevenness, meaning that one brow is higher or lower than the other. This is easily corrected with a touch-up or the patient can wait for the toxin to lose its effect. Usually the patient will look better within a few weeks.

Keys to successful Botox Cosmetic treatment include going to a doctor that injects regularly.  Also, it is important to articulate to the physician your exact goals. For example, if you want your eyes to be more open, to look less tired or to raise your brows, be specific. It is always my advice to seek a more natural look and have some animation.

Alternatives?

In the battle against aging, there are several alternatives to Botox Cosmetic.  One such option is GFX, a radiofrequency procedure that lasts approximately 1 year or more. This is due to ablation of the nerves which cause muscular contraction of the glabella — more commonly known as the region between the eyebrows.  Other options include Reloxin and Puretox — neither of which is FDA approved.

http://www.fda.gov/WOMENS/getthefacts/botox.html

Dr. Neil Sadick is one of the most renowned dermatologists and researchers whose multiple discoveries have strongly influenced and transformed the future of dermatology. He is a Professor of Dermatology at Weill Cornell Medical College and President of the Cosmetic Surgery Foundation. Dr. Sadick is author, or co-author, of more than 500 articles in peer-reviewed scientific journals and has contributed more than 75 chapters of medical books. Read more at www.sadickdermatology.com.